Pricing

Materials, size, frames, and options create the basis of the cost of the finished work. The actual art and labor will vary based on time, complexity and media.

Here I describe the commission process and pricing variables. I am in the process of updating my gallery to include price points so to provide the most transparency.

As a person with a 40 hour/week job and a passion for art, I’m purposeful about the time commitments I make. I am more than willing to work with you to see your project to fruition and I commit to not wasting your time/money so long as that courtesy is reciprocated.

How this works:

  1. You reach out with your project idea, giving as many specifications as you have, including subject matter, size, medium, price range, and any deadlines to be met.
  2. I respond with any follow up probing questions to ensure I understand what you’re looking for. I can also make suggestions as to mediums/size at this time. I can give a reasonably accurate estimation on cost/time during this process, or let you know if I’m not comfortable in my ability to deliver on the project and why.
  3. When I feel I understand your project, I provide a sketch of my understanding of your project and lay out all details for your approval. I am fully open to criticism/revisions/clarifications at this time. This is your project.
  4. I can then give a quote and a time-frame for completion. If the project will require the purchase of major materials to start with, I may require a down payment, which will be specified in that quote.
  5. Once agreed upon and down payment made (if applicable), I will begin work, checking in at various stages to confirm I’m on track. Minor course-corrections are both possible and encouraged in these check-ins, so long as the project stays within the agreed-upon sketch and quote.
  6. When I feel the project is finished, I will send photos/videos showing full detail for your approval.
  7. When approved, pay the remainder of the quote.
  8. I ship the project and provide a tracking number.

Colored pencil renderings

Colored pencils are definitely my favorite medium. They’re a bit more labor-intensive and usually require a frame for displaying (unless you’re into push-pins or scotch tape on a wall, you do you! I’m not here to judge.) However, materials are less expensive.

Paintings

I primarily use acrylic paints on pre-fabricated canvases. This can include canva paper, canvas board, framed canvas, a wooden board… basically anything that paint will adhere to.

Collectible Card Boxes

These are usually made with pre-fabricated unfinished boxes from local sources and need to have the hinges removed, all surfaces sanded and primed with gesso. I generally paint with acrylics. The boxes require more layers and monitoring to ensure texture is even, as well as a few layers of lacquer to ensure it lasts. Inside is custom lined with felt and the sections/dice trays are personally constructed by me. Hardware to match the design and feel of the box is then installed.

Miscellaneous

I have worked with, and am willing to work with, many other materials. I’ve described what I am most used to, but if you have a project that you think I might be able to do, feel free to reach out! I’ll give you a full, honest estimation of whether I truly think I can make something you would be happy with. If it’s something brand new to me, but interests me, often I will give steep discounts for the pleasure of playing with a new medium and the likely extended time it would take me to make it a thing!

Frames

It is generally useful to provide pictures of the area you intend to display my work so that I can ensure colors compliment the area and can make informed suggestions as to the sizes and any framing you might want to consider. Feel free to take or leave these suggestions. Many craft stores provide custom framing options so that you can save on shipping as well as ensure you have the best design for your space. I do generally recommend you get it framed at your convenience.